Non Standard Studios _run by Tobias Freund offer a full range of analogue & digital recording, production, mixing & mastering services for our clients. A full host of services enabling us to transform your idea into a final product. Using a combinatio of the finest Class A Solid State Discreet Tube & Digital equipment from the likes of ADT, AMS, Eventide, EMS, Korg, Neumann, Roland, Studer, Telefunken & many more.
These days the abundance of recording tools makes it easy for individuals to realise their ideas quickly and inexpensively in their own homes; what once would have cost the earth is now in reach of everyone. However, once an idea has been realised, and is planned for release, it becomes important to achieve the highest level of fidelity before mastering your project for release.
Tobias Freund _has an exhaustive knowledge of music ranging from pop to abstract experimental techno and everything in between.
Freund's freeform electronic investigations found a more conventional focus in his day job as a recording engineer. Beginning as an apprentice, he would go on to spend nearly 20 years working behind the boards for pop musicians like La Bouche, Milli Vanilli and Meat Loaf. The job, says Freund matter-of-factly, was just a job—a way to earn money and stay up to date with
high-end studio equipment.
Freund's engineering background is a crucial part of the way he makes music. Approaching the recording studio as an instrument itself, he belongs to a distinguished lineage of electronic pioneers. by Philip Sherburne
These days the abundance of recording tools makes it easy for individuals to realise their ideas quickly and inexpensively in their own homes; what once would have cost the earth is now in reach of everyone. However, once an idea has been realised, and is planned for release, it becomes important to achieve the highest level of fidelity before mastering your project for release.
Tobias Freund _has an exhaustive knowledge of music ranging from pop to abstract experimental techno and everything in between.
Freund's freeform electronic investigations found a more conventional focus in his day job as a recording engineer. Beginning as an apprentice, he would go on to spend nearly 20 years working behind the boards for pop musicians like La Bouche, Milli Vanilli and Meat Loaf. The job, says Freund matter-of-factly, was just a job—a way to earn money and stay up to date with
high-end studio equipment.
Freund's engineering background is a crucial part of the way he makes music. Approaching the recording studio as an instrument itself, he belongs to a distinguished lineage of electronic pioneers. by Philip Sherburne
Equipment:
• ADT - Tool Mod, Analog Mixing Console
• Geithain Studio Monitor
• Apple Mac Studio
• Lynx Aurora 16 Soundcard
• AMS DMX 15-80
• Eventide H3000
• EMS Phase Frequency Shifter
• Echoplex Delay
• Alesis Midiverb
• Roland DEP 5
• Lexicon LXP 5
• Manley Vari MU Tube Compressor
• Neumann Compressor U473 A
• Neumann W491 A EQ
• Neumann U-87 Microphone
• Korg MS 20
• EDP Gnat
• Yamaha DX7
• Roland TR 808
• Roland TR 909
• Roland Bass Line
• Roland CR 78
• Roland MC 202
• Dark Corporation - Kiyimi
• EMU Protheus
• Akai - S3200
• Electro Harmonix - Looper 95000
• Software:
Logic Pro / Bitwig / Sonnox Oxford / iZotope / DMG / Eventide /
XLN Audio / Native Instruments / Fors
• ADT - Tool Mod, Analog Mixing Console
• Geithain Studio Monitor
• Apple Mac Studio
• Lynx Aurora 16 Soundcard
• AMS DMX 15-80
• Eventide H3000
• EMS Phase Frequency Shifter
• Echoplex Delay
• Alesis Midiverb
• Roland DEP 5
• Lexicon LXP 5
• Manley Vari MU Tube Compressor
• Neumann Compressor U473 A
• Neumann W491 A EQ
• Neumann U-87 Microphone
• Korg MS 20
• EDP Gnat
• Yamaha DX7
• Roland TR 808
• Roland TR 909
• Roland Bass Line
• Roland CR 78
• Roland MC 202
• Dark Corporation - Kiyimi
• EMU Protheus
• Akai - S3200
• Electro Harmonix - Looper 95000
• Software:
Logic Pro / Bitwig / Sonnox Oxford / iZotope / DMG / Eventide /
XLN Audio / Native Instruments / Fors